Wednesday, June 3, 2009

Barn

Barn
5 x 7 inches
Oil on Masonite panel.

Another farm painting. I love this time of the year out in the country. When I was a boy, every summer, my brother Jim and I (and in later years, my brother Jack and sister Robin) would go out to the farm and stay with my Grandma Brauker and Uncle Chuck. They are both long gone now, and the house was eventually sold and torn down, but the old barn still stands and whenever I get back to Coldwater, Michigan, I drive by to make sure she's still standing. (Click the link below to see photos of my Grandmother, the barn and a painting I did of the barn last year.)

It was a magical time for us, riding the tractor, (see photo below) feeding the chickens, and the fun of gathering up their eggs, watching Uncle Chuck milk the cows, playing in the hayloft and so much more. There was no running water in the house, just a pump outside and a large pipe that went into the kitchen. Still Grandma whipped up incredible meals on the ancient large cast iron wood stove that sat like a tank on one end of the kitchen. There was no bathroom, so we got familiar with the two holer in the outhouse, which was located a discreet distance from the back door. At night we had a chamber pot under the bed. And speaking of night, oh how dark it was. At home we had a street light in front of our house, but when Grandma tucked us in, gave us a kiss and said good night, the light went off, and total darkness enveloped us. The only thing we could see was a small florescent cross that hung on the wall across the room. We were comforted by that as it slowly faded and we drifted off to sleep.



Riding with Uncle Chuck on his wonderful old Ford tractor.
I am on the left, my brother, Jim on the right.
My guess is that this is the summer of 1954. That is
the chicken coop in the background.

Click here to see more photos.


Click here to go to Bill Brauker Art

Monday, May 25, 2009

Farmland


Farmland
5 x 7 inches
Oil on Masonite panel.

This is my painting for the current Different Strokes project, which was started by Karin Jurick, a great artist, who graciously gives of her time and advice to bring people together in the creation of art. She posted a black and white shot of a farm she photographed in Pennsylvania, and it was up to us to interpret the colors. It was a fun project and I thank her for always challenging us.

Click here to go to Bill Brauker Art

Friday, May 22, 2009

Red Barn


Red Barn
5 x 7 inches
Oil on Masonite panel.

I grew up in southern Michigan and fondly remember the barns on a midsummer's day

Click here to go to Bill Brauker Art

Thursday, May 21, 2009

The Back Porch

The Back Porch
8 x 10 inches
Oil on wood panel

This is a view of the back porch at my sister's house in Coldwater, Michigan. It is a lovely place to sit in the summertime and watch the grass grow in the back yard.

Click here to go to Bill Brauker Art

Monday, May 18, 2009

Marion

Marion
8 x 10 inches
Oil on wood panel

The latest painting in my, Ladies of Legend and Literature series, is Marion. The Music Man, has always been one of my favorites, and Marion the librarian is an icon of woman for men the world over. A prim and proper lady, but blessed with an aura of sensuality. What more can you ask for.

Click here to go to Bill Brauker Art


Tuesday, May 12, 2009

Morgause



Morgause
9 X 12 inches
Oil on Masonite panel.

I have decided to do a series of paintings called, Ladies of Legend and Literature.

I have always been a fan of Arthurian literature, and have read many of the books. I have decided to do my first painting on the women of Camelot. The first is Morgause. Arthurian books describe her as the half-sister of Arthur. The two had not previously met and were ignorant of their relationship. They share a night of passion, and she had their son, Mordred, who many years later slayed Arthur in battle. The taboo of this incestuous act has led some modern authors to merge Morgause with her 'evil' sister Morgan Le Fay in this respect. Sometimes portrayed as evil and others as an innocent beauty, she is a temptress, nonetheless.

I wanted to portray her as a mysterious, beauty, and let the viewer decide whether she is good or evil.

The painting was inspired by a photo by Henri Senders, a great photographer from Dordrecht, Netherlands, who has graciously allowed me to use some of his work for my paintings. You can see his work, which consists mostly of tasteful artistic nudes, here. When you get to the page, click on the link next to the words, Aantal foto's.)


Click here to go to Bill Brauker Art

Tuesday, May 5, 2009

Afternoon Repose

Afternoon Repose
8 x 10 inches
Oil on wood panel.

I recently went to the Meininger art supply store in Denver. (One great place!) While there, I learned of the Gamblin Torrit Grey Painting Competition.

Every spring, Gamblin Artists Colors collects a wealth of pigments from itsTorit® Air Filtration system. They filter the air around the areas where they handle dry pigments so that the workers are not exposed to pigment dust. Rather than sending any of the high quality, expensive pigments into the landfill, Gamblin paint makers recycle them into "Gamblin Torrit Grey."

The mix of pigments is different every year, so Torrit Grey is always unique and will never be repeated.

Torrit grey tubes are given out free to artists. By hosting the Torrit Grey Painting Competition, Robert Gamblin invites painters to experiment with the first dimension of Gamblin Color Space: VALUE. See how light & dark values can have as much impact as color.

This is my first effort, though it won't be my last, as I learned much from this exercise. The painting was 99.9 percent done with torrit grey and white. I think I dipped my brush in the black once, but didn't like it, so stuck with the grey and white.

I owe a debt of gratitude to Rina H, a wonderful photographer from Germany, who has graciously allowed me to use one of her lovely photos as inspiration for this painting. She is very talented. Her work can be seen here. www.rinafoto.com

Click here to go to Bill Brauker Art

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